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2004 Warren Adler Fiction Award
Winner Announced! |
The
Warren Adler E-Sheet 25
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Greetings
From Publishing Central
We
are happy to offer you another issue of
the Warren Adler E-Sheet, which
keeps you up to date on what is
happening in the author's world. We hope
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A Book
Club Discussion Guide for "The
Children of the Roses"
Let
me join the discussion.
This is
probably not a "first", but I thought it
would be interesting to encourage reading
group discussions of my just released novel
Children of the Roses, now in
bookstores and available
online everywhere.
I'd love to attend via cyberspace or
conference call.
As most of you
know, the new book is a sequel to
The War
of the Roses which became a
much-presented movie and dealt with a nasty
divorce in which Mr. and Mrs. Rose killed
each other off in a spectacular "death by
chandelier" scene, visually and chillingly
adapted to the screen.
The
Children of the Roses takes place
years later. The "children" are now adults.
Josh, the male child, now in his
thirties is married to Victoria. They
have two children Michael 10, and
Emily, 8.
The female
child, Evie, has not married. She is
an authentic gourmand who, despite her
girth, has had many lovers, enjoys her life
and is a true believer in the politically
incorrect and unhealthy idea that "food is
love."
Like most
human beings, everyone of the characters are
conflicted, each in his or her own way,
following the dictum expressed in the first
line of Tolstoy's great novel "Anna
Karenina."
Happy
families are all alike; every unhappy
family is unhappy in its own way.
In today's
jargon such families are labeled
"dysfunctional." But are they really?
Some folks
have considered the book a "black comedy."
I'm not sure such a label can be precisely
defined. If it means that domestic horrors
often begin with the tiniest, silliest and
funniest little details, like a telescopic
fault line which opens to a yawning hole
after an earthquake, I'm inclined to agree.
That is
exactly what happens to the Rose family in
this novel.
Be
forewarned:
The
Children of the Roses is not a novel
peopled with warm and fuzzy characters. It
is about people who, like most of us, make
awful decisions and terrible mistakes. It is
about a family in crisis, locked into a
legacy of violence and domestic mayhem. It
is about people who blunder through their
allotted time seeing a détente with life's
ups and downs and try their best to play the
hand they have been given. Some will see
these characters through a humorous lens. I
hope so. Without humor domestic tragedy is
tough to confront.
Some will
see their own personal traumas reflected in
the characters and events and react
negatively to the situations and scenes
depicted. Some critics of my work are often
moved to condemnation on the basis of
self-recognition. It is hard to be objective
if you have been psychologically injured by
divorce and all the concomitant searing
experiences associated with the process.
To keep the
discussion lively and meaningful, I have
included a few questions that might trigger
some reactions.
- Would a mother, determined to keep her
child in a prestigious, in-demand,
private school be willing to provide
sexual favors to the headmaster to
prevent her child's being expelled?
(This was the dilemma faced by Victoria Rose when the sexual
predator Mr. Tatum, the
headmaster of son Michael's
school has discovered grounds for
expelling the child.) What do you think?
- Victoria and Josh attempt a
"nesting" solution as a potential
divorce settlement, meaning that their
two children remain stationary in the
house while one parent presides and
rotates every two weeks. Do you think
this is a good child custodial strategy?
- Evie Rose is a gourmand, overweight,
gluttonous, but sweet, generous,
endearing, non-judgmental, and loving.
Her dictum is that "food is love."
Michael, Emily and Josh
adore her. Is she as bad an influence on
the children as Victoria
contends?
- Michael and Emily act in bizarre
ways in an effort to keep their parents
from divorcing. Some of these acts
appear illogical and weird and hark back
to events in the lives of their parents
and grandparents of which they have no
specific knowledge but might have
absorbed through overhearing
conversations or references that they
could not have understood. Is it
possible for young children to absorb
psychologically or by some mysterious
osmosis or filtration process these bits
of information?
- Josh is seduced into a sexual affair
with Angela, a talented staff
employee from an Italian American
culture, the mother of three children
and an ardent Catholic. He is obsessed
with guilt and agonizes over his
transgressions. When the affair is
discovered, he asks Victoria's
forgiveness. It is rejected. Weighing
mindless sexual passion over keeping the
family intact, what would be your
reaction?
- Embedded in this story is the issue of
whether a woman who is a high powered
lawyer on a surefire career track should
give it up to become a suburban
housewife and devote her life to rearing
her children. Victoria has made
this choice. As a woman would you make
this choice? As a man what would you
advise your spouse or significant other?
- Do
the children of domestically disturbed
parents "catch" this virus of contention
from their parents and repeat this
behavior in their own lives. What do you
think?
Print and save until after you read the
book and use for discussion with your
reading group or with me in the
discussion forum.
One of the
glories of this new technology is that it
has made possible a quick and easy way for
authors to have a meaningful dialogue with
their readers. The fact is that authors and
readers essentially are in a one-on-one
communication mode and have been since the
transmission of words and images
were invented in the Stone Age.
People have
always questioned the meaning of their lives
and the many strategies of coping with the
gut issues of their existence. The novel has
always functioned as a device to provide
insight, nuance, understanding and pleasure
to readers who follow the lives depicted in
stories concocted by authors.
Using the
architecture of words to create characters
and plots mirroring life, the author
entertains, teaches, excites and seduces the
reader to follow the lives of his or her
inventions and imaginings.
Nothing is
more gratifying to the author to discover
how he has connected with the reader. Hence,
my offer to participate in your discussion
of my work or, if preferred, a one to one
conversation via cyberspace. I invite you to
tell me your
thoughts about
The
Children of the Roses. Above all, be
thoughtful, precise, honest and candid.
Post your
comments on my
discussion forum and I will do my best
to acknowledge every one.
Winners Announced!
2004 Warren Adler
Fiction Award
The winner
of the 2004 Warren Adler Fiction Award
presented by the Wyoming Arts Council is
Mary Abbruzzese
of Jackson, Wyoming for her lovely
story Tea Leaves. I hope to be able
to present her award check of $1,000 in
Jackson this summer. Honorable mention went
to Robert McKee of Douglas, Wyoming
and Alyson Hagy of Laramie.
Congratulations, Mary!
More in our
next newsletter.
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Until
next time, happy reading, and we hope to hear
from you in our interactive
book chats.
Warren
Adler
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