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April 7, 2006
My Brush with Boxing Greats

The Warren Adler E-Sheet 51

In this issue:

   
Warren Adler Greetings From Publishing Central

We are happy to offer you another issue of the Warren Adler E-Sheet, which keeps you up to date on what is happening in the author's world.

   
Update from

It’s an exciting time here at Stonehouse Press (publisher of Warren Adler titles) with a lot going on. We’re gearing up to celebrate the 25th anniversary of the publishing of the novel, The War of the Roses. Throughout the coming year, we're planning several promotions and events to celebrate this milestone, so check back often. We’re also collaborating with Amazon.com for the launch of previously unpublished short stories, which will be offered for only 49 cents! And we’re counting down to the release of the new ebook Reader from Sony, for which all of Warren Adler's 28 published books are available. And this just scratches the surface! We’ll send email announcements, but check the website often for updates.

Thanks for reading,

Kirsten Ringer, VP Development
Stonehouse Press

Joe Louis, Rocky Graziano and Me

In the seventies, when I was in the advertising business, I spent a few days with two of the most enduring heroes of my boyhood. One was Joe Louis, the Brown Bomber, the undefeated Heavyweight Champion of the World. The other was Rocky Graziano, the former Middleweight Champion.

 In those depression years of my youth, the fights were premier events. Huddled around our radios, we listened with intensity and rapture to descriptions of the matches that were far more vivid in our imaginations than anything we eventually saw with our own eyes in newsreels at the movie theaters. The fights were the most popular spectator sport on the planet in those days.

It was the golden age of the tough guy, of Damon Runyon’s Broadway, of Walter Winchell, Toots Shor, the Stork Club and the old Madison Square Garden, of Lindy’s, the Copa and the Brooklyn Bums. The fighters and the gangsters were household names. I could string them out to fill ten pages. Guys and Dolls was real life. Broadway was the Great White Way. Being politically correct was LaGuardia reading the comic strips on the radio during a newspaper strike. 

My earliest recollection of the fights was of listening enraptured by the radio account rendered by the distinctive voice of Clem McCarthy of the championship bout of Heavyweight Max Baer and Primo Canero, a giant fighter who could barely box. Baer blew him away.

The fights were business, not personal and ex-fighters loved each other’s company.

When I worked as a copy boy for the New York Daily News, my job during the News-sponsored Golden Gloves bouts was to attend the fights ringside in various arenas around New York and bring back the plates carrying the photographs of the young boxers so that they could make the bulldog edition. Invariably I would return to the city room spotted with the blood of the boxers.

One of the bouts was with a young boxer who reminded me of Joe Louis. His name was Cassius Clay, who later, inexplicably at the time, changed his name to Mohammad Ali. As a copy boy I also attended the big pro fights.

During and after my service in the Korean War I edited a little magazine called Armed Forces News. In addition to writing everything in the magazine, I ghosted a monthly column by the great Lightweight and Welterweight Champ Barney Ross. I mention these events as a prelude to my spending time in person with Rocky and Joe. The fights were a rich exciting part of every young man’s life in those days. Sure it was a brutal sport. It was supposed to be.

Joe Louis was strong, modest and physically beautiful during his prime, embodying everything that was considered manly aspirations in my day. He beat Max Baer for the Heavyweight Championship.

Seeing his picture in print or in the newsreels with his great deadpan heroic warrior stance can never be erased from my mind. His first round knockout of Max Schmeling, the Nazi favorite in 1938, who had floored Joe in an earlier fight, made him not only my hero but America’s hero. 

Rocky Graziano was a tough New York street fighter turned boxer who, for a brief time, was Middleweight Champion of the world. The three Rocky Graziano-Tony Zale fights were, by far, among the top fights of all time. Zale won two and Rocky one, but they were the most brutal fisticuffs ever exhibited before a live audience. For Rocky to have withstood that punishment and come out alive endeared him to every one of us who loved the fight game.

While owning an advertising agency in Washington with the preposterous name of Warren Adler Ltd, I was approached by someone representing a soft drink called "Treet" based in Lodi, New Jersey. My agency’s job was to introduce this concoction that came in a triangular plastic package to the Washington market.

For some reason that I can’t recall, they wanted me to make commercials with two famous old time fighters. Rocky Graziano came down from New York and insisted that the other fighter in the commercial be Joe Louis. All it took was one phone call and Joe joined us. He was broke at the time.

I can remember being tongue tied with admiration. Both men were true pals. It shouldn’t come as a surprise. The fights were business, not personal and ex-fighters loved each other’s company, particularly Joe and Rocky. It was quite inspirational to see them banter with each other. When the three of us were together, I was the butt of their jokes and I loved it. Taking them around town to keep them busy and content while rehearsing the few lines in the commercial was part of the job and I reveled in it.

Washington in those days wasn’t exactly a cornucopia of nightlife, although there was one strip joint under the elevated highway in Georgetown. For some reason this looked like something I thought these guys would enjoy. Everywhere we went, Rocky and Joe were celebrities and on this visit, the strippers joined our table.

Joe, who was mostly taciturn and not very talkative, became, in the presence of these luscious ladies, positively eloquent. It was remarkable to see how both these men loved the attention of women and felt easy and comfortable in their presence. The women, too, seemed to glow in their proximity. Perhaps it was the macho image of these male champions, legendary warriors, that attracted them. It was just a passing moment and we left the place after an hour or so, but the observation sits oddly in my memory.

The contrast between the two ex-champions was considerable. Rocky was gregarious and funny with a knife-cutting New York accent, a kind of parody of a punch-drunk fighter, although he was extremely intelligent and articulate. He walked like a dancer and was proud of the fact that he had taught Marlon Brando to talk like him in On the Waterfront.  The affection between the two men was obvious in the way they treated each other.

Making the commercial was both hilarious and somewhat tragic since both men had difficulty remembering their lines, which were hardly more than a sentence or two.  Each was aware that they were suffering from a disability of their boxing career. The finished commercial in which my three children also participated was a disaster.

One day I took Joe to lunch at Duke Zeiberts, which was as near to Broadway as you could get in Washington. Politicians, newspaper guys and the old Irish mafia during the Kennedy years lunched there daily, swilling scotch and martinis and munching on half done pickles. Duke stood at the door and ladled out tables to the politicians and celebrities of the era. The fare was old New York, 21 Club-like and table-hopping. Having lunch in the front room was like being among the chosen.

To this day I am sensitive to that first person pronoun, especially if overused in conversations by a long-winded monologist.

Shepherding Joe, I basked in his glory. He was still recognizable to that crowd and I felt the thrill of his celebrity glow as I passed through the crowd with Joe in tow. The thing about Joe Louis was that he had the odd habit of referring to himself in the third person. Joe wants this. Joe wants that. It was as if his modesty precluded any use of the first person pronoun. To this day I am sensitive to that first person pronoun, especially if overused in conversations by a long-winded monologist.

At times, in a long life, an odd nugget of profound wisdom inadvertently drops into memory conveyed quickly and carelessly in trivial conversation, like that famous moving finger that writes and passes on.  Duke joined us for lunch and the chit-chat probably dealt with other matters when Joe offered that little polished diamond of wisdom that has stuck with me through the years.

Joe Louis, after all, had moments of ecstasy and misery, the greatly revered champion had an up and down home life, harassment by the tax people, bad advice, victimization by sycophants and stooges, and health problems. His fortune was squandered and he was broke at the time of this lunch. He said in passing. I don’t remember the context, only Joe’s words.

"On Joe’s tombstone I want them to put one word. "Even." Joe is even."

To me, this has always remained a wonderfully wise and profound axiom. All of us live lives buffeted by contrary winds and tides, ups and downs, highs and lows, joys and sorrows, as we step dance on the red carpet to oblivion. For my boyhood hero the beautiful Joe Louis, the great champion, to say that he was "even" was to me a lesson in humility and strength that has been a watchword all my life. I would love be able to say that I ended up, like Joe Louis, "even." 

There is an addendum to this little story. Not only was the commercial a disaster, the product was terrible and was quickly withdrawn from the market. Worse, I never got paid for my services, which resulted in a considerable financial loss.

It was worth every penny.

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