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See complete E-Sheet 65
Handling Rejection
You’ve spent months, perhaps years, composing your
novel. You’ve read and reread it hundreds of
times. You’ve rethought it, rewritten it, revised
it, changed characters, dialogue, plot lines.
Writing it is the most important thing in your
life. The writing of your novel has absorbed your
attention, almost exclusively. Both your conscious
and your subconscious mind have been obsessed with
it. You have read parts of it to your friends,
family, former teachers. Most think it’s
wonderful.
You have finally considered it
finished. Armed with optimism and self-confidence,
you obtain
a list of agents on the Internet and begin to
canvas agents. You agonize over whether to send
your precious
manuscript to one agent at a time or to a
number of agents. You choose the first option.
You spell check the manuscript and send
it out in perfect printed shape on letter-sized
paper. You have, you believe, created a beautiful,
easily read package. You send a cover letter. You
have high hopes.
Weeks go by, then months. They are,
you believe, reading it in the office, passing it
around, deciding to take it on. You live on such
hopes. Finally you call the agent’s office. They
haven’t a clue as to who you are. Somehow they are
reminded and search the
piles of manuscripts in their office, find
yours and send you back a
form letter, perhaps made to look like an
original out of politeness.
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| I suppose you are awaiting some
prescription offering a magic coping pill.
Sorry, there isn’t any available at
Walgreens or your corner drug store. |
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Well then, you tell yourself, it is
only one agent’s opinion. You send it off to
another agent. A letter comes back swiftly,
similarly worded. You get bolder send your
manuscript to two agents at a time, then three,
then every agent you can find. Nothing happens.
Good luck on getting published, they tell you. Not
for us. Sometimes there is a personal scribbled
note which says something nice and you live in its
glow for days.
Years go by. You start another novel,
but you are less optimistic now, less confident,
unsure. You tell yourself you have not paid enough
attention to the marketplace. You begin to analyze
what is selling, what is not selling, what is
being published. You read books on the best seller
lists and are certain you can do a lot better. You
try to use these books as a guide to what is
selling and you write accordingly. Nothing helps.
You are continuously rejected.
You begin to read various
pitches on the Internet about how you can
publish your own books and get them marketed in
bookstores, sent to movie producers, be a
successful career novelist. For a price, you can
have a nicely published book. For more of a price
it will be sent out to movie producers. For more
of a price you will be told how to market your
book. You debate the idea and as your pile of
rejection letter mounts, you give it a try. You
spend money. A beautiful book is produced. Your
family buys copies and sends them to friends.
It is even reviewed in publications that review
self-published books. Actually, a newspaper
somewhere prints a review. You are elated. Nothing
happens. There is no afterlife.
Deep in your gut you are vastly
disappointed. Despite your confidence in your
ability, despite the fact that your novel is
certainly worthy of publication, knowing that you
have the desire, the discipline and are certain of
your talent, you have been rejected. Still you are
determined to
get up from the mat and fight back. You write
another novel. Perhaps a third. Perhaps more. You
go through the same process. Again and again you
are rejected. You begin to question your ability,
your ideas, your talent. Is it a fantasy, an
exercise in unrealistic aspirations? You are
becoming embittered. Your dream is crashing.
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| You will require obsessive focus,
singleness of purpose, a draconian
ruthlessness and total devotion to a belief
in your artistic ability. |
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If you are fortunate, your wife,
husband, partner, and family stick by you,
continue to encourage your dream, help you keep it
alive. Other realities begin to chip away at the
dream. You have financial obligations. Your kids
are growing up. You are
losing out in the job market. Others are
moving up in their jobs, while you are falling
behind.
You feel lost, adrift. Rejection after
rejection has beaten you down. You see this as the
end of your world, the end of your hopes and
dreams. Your high hopes and self-confidence in
your own talent is petering away.
What
now?
If you’ve read this far without your
stomach congealing, I suppose you are awaiting
some prescription offering a magic coping pill.
Sorry, there isn’t any available at Walgreens or
your corner drug store. And you won’t find it
here.
Luck—that strange, illusive, heaven sent,
burst of good fortune–has not fired a missile in
your direction.
Not yet.
You have three choices. The first is
personal surrender. You’ve been on a fool’s errand
following an adolescent dream. Time to throw in
the towel and concentrate on your day job. At
least you tried. The second choice is
postponement. You weren’t ready. You needed more
experience of life. You haven’t made the
zeitgeist yet. But it will come. Some, like
yourself, are late bloomers. Give the dream a
rest. Wishing won’t make it so. There are enough
popular clichés to give you courage.
Some day your Prince, or Princess, will come.
Whistle the old tunes.
Now for your third choice, the
clincher. It is not recommended for the faint of
heart. Never give up. Never, never, never. It may
be impractical, unwise, foolish, pure madness, but
if you truly believe in yourself, your talent,
your ideas, your calling, your personal mission,
why not, as
Lewis Carroll wrote, go on until the end, and
then stop.
To do this requires a monumental ego,
total self-confidence in your talent, and an
unshakeable belief that you have been anointed
with the right stuff. You will require obsessive
focus, singleness of purpose, a
draconian ruthlessness and total devotion to a
belief in your artistic ability. Fancy words, I
know, but with the absence of luck, you will need
these attributes to sustain you through the
process.
What this means for the true novelist
is that he or she must continue to soldier on,
keep writing, keep trying, taking the increasingly
painful hits of rejection after rejection until…
Well, until someone out there catches on…or
doesn’t.
Sorry. We are all waiting
for
Godot. Sometimes he comes.
>
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